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The Top Record of the Year: Rosalía's Lux Takes the Top Spot.

Initially, this album may look closer to an arduous academic quiz than the latest popular music record from an artist whose previous single featured a global pop icon. Split across four distinct movements and sung in 13 languages, we have a dizzying classical-tinged opus investigating female mystery, spiritual ascent, and corporal change, often through the prism of different women saints. The end of a relationship—a topic treated with grounded honesty on another major 2025 album—soars heavenward here, carried by the lush sound of a major orchestra and contributions from an award-winning songwriter within a vast roll call of collaborators. The pure ambition by itself renders the work of other artists seem quite modest.

Transcending Scholarly Exercise

That Lux succeeds in escape overly intellectual chin-stroking feels nothing short of miraculous, with sole praise belonging to Rosalía. While this is not the first time project to blend historical sounds and the present, its ambitions feel far higher on Lux, and the tightrope walk far more dramatic. What truly raises this fourth release, beyond its multilayered melodies, dense arrangements, and engrained theatricality, proves to be a core sense of fun. Much like the iconic artist during her peak, there is a captivating sense to the vocalist's singing which sweeps you into its whirlwind. Even when she is breaking your heart apart, the listener still want to stay right there through the ride.

A Signature Example of Exuberance

This playful spirit shines brightly during a stirring Italian song inspired by a saint. It bathes in a sorrowful whirlpool for more than four moments. Suddenly, all the music falls silent, and there's a spontaneous giggle and a comment prior to a comically exaggerated string surge thuds down with cartoonish impact. The track immediately shifts to the frenetic track driven by galloping orchestration, an imposing choral group, and a cameo appearance from none other than herself.

"The charm with this album is that you never exactly know—or even want to know—what it will go to next."

Nearly each track ends in a completely different point than where it started. One moment explores the transient nature of celebrity over a featherlight symphony before collapsing into digital chaos. Another, a song that recalls the artist's previous rhythmic work starts out moody and brooding, featuring prowling beats, before fluttering traditional rhythms and a heavenly choir arrive to soften its rough corners.

The Bridge Of Art and Accessibility

A key balancing act of Lux involves navigating the gap between radical innovation and mainstream accessibility. This is little coincidence that it has achieved her first release to break into the upper reaches of major markets: its heart contains a collection of truly undeniable pop songs. One track sung primarily in English builds around a refrain that seems to collect increasingly nagging hooks as it spins upward. This trick gets echoed by another expansive ballad that expands and constricts, weaving layered tunes as an intricate tapestry.

  • A dance-infused song charms with its playful, Disney-adjacent flair and a chant-along hook.
  • In its words, it aligns the cultural honesty of contemporary breakup anthems, lambasting a former partner described as an "emotional bully".
  • Throughout the album, the singing carry a painted-on edge, like a storybook character hiding a blade: "Gold medal in being a motherfucker / You've won the trophy of disappointment."

A Maximalist Feast for the Soul

Lux is pop on a grand scale, an ambitious reach for high Art amid of looming AI-generated blankness. It rejects self-absorption in favor of glorious transcendence, creating a dramatic spectacle that masterfully manages its own inherent excess. This is an abundant well of hidden treasure that requires time to fully explore but never feels like a chore. Where some big pop albums of the year felt like feasting on meal, this record offers a lavish banquet at which the characters around it, some intoxicated on holy wine, flutter from discussions about historical saints, the galvanizing sensation of heartbreaking grief, and shared gossip about hopeless partners. In essence, it's a modern-day musical from pop's most endlessly inventive visionary.

About the author

Crystal Myers

An avid hiker and environmental writer, sharing personal journeys and sustainable living tips from trails around the world.

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